Shining Wild Things
/Shadow Country was the culmination of a thirty-year obsession with the notorious Everglades pioneer Edgar J. Watson. Sam Sacks treks into the beautiful and blood-soaked territory of Peter Matthiessen’s magnum opus.
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Shadow Country was the culmination of a thirty-year obsession with the notorious Everglades pioneer Edgar J. Watson. Sam Sacks treks into the beautiful and blood-soaked territory of Peter Matthiessen’s magnum opus.
Read MoreRichard Bausch takes his talents to Italy in World War II. Sam Sacks reviews Peace.
Read MoreRichard Grant take a trip to the hellhole of the Sierra Madre a (barely) lives to tell about it
Read MoreIn My Revolutions, Hari Kunzru attempts to show the moral emptiness of antigovernment violence. The problem is, Sam Sacks thinks, Kunzru sees emptiness in everything he writes about.
Read MoreTony Earley's sequel to Jim the Boy is as rich and powerful as its predecessor. Sam Sacks reviews The Blue Star.
Read MoreRussell Banks pens a Lost Generation fairy tale. Sam Sacks reviews The Reserve
Read MoreRichard Price has called The Wire “as close to a novel as anything on TV.” Sam Sacks examines whether Price’s new book Lush Life is as close to TV as anything in a novel.
Read MoreSam Sacks reviews Michael Dirda’s Classics for Pleasure, an old-fashioned reading guide that wants desperately to believe it hasn’t been made altogether anachronistic by the Internet, that elephant in the corner of the library.
Read MoreSam Sacks contrasts the Nazis’ murderous theft of Irène Némirovsky’s life with the bright, redeeming light of her newly translated novel Fire in the Blood.
Read MoreJames Wood, Christopher Hitchens, Michiko Kakutani, and many others have competed to put forth the definitive word on Philip Roth’s Exit Ghost. Sam Sacks is off to the races with them in this regular feature.
Read MoreThomaston, the setting of his new novel Bridge of Sighs, is the most diverse and complicated town Richard Russo has yet created. Sam Sacks navigates its vivid highways and byways.
Read MoreJuno Díaz’ Drown was as impressive a debut as any in the 90s. Eleven years later, The Brief Wondrous Life of Oscar Wao is finally on the shelves. Sam Sacks reviews what the burden of expectation on the author’s shoulders has produced.
Read MoreDavid Malouf may have written more thoroughly about Australia than any writer in history. Now that his Complete Stories is out, Sam Sacks assesses the fruit of his thirty-year career.
Read MoreLike The Kite Runner before it, A Thousand Splendid Suns ownsreal estate on the top of the bestseller list. Sam Sacks dares tounlock the secret of Khaled Hosseini.
Read MoreIn our monthly feature, Sam Sacks clambers over the mountain ofreviews of Ian McEwan’s On Chesil Beach, spotting perspicacity,purple prose, and possible pickpocketing along the way.
Read MoreSam Sacks reviews the fun and flawed new novel The Yiddish Policemen’s Union and tries to answer the question on everybody’s lips: what exactly is Michael Chabon doing?
Read MoreSam Sacks laments the great divorce of Christianity from literature
Read MoreSam Sacks reviews Jon Clinch’s Finn, a novel about Huck Finn’s father, and decides that it owes a heavy debt to a literary figure apart from Mark Twain.
Read MoreIn this monthly feature, Sam Sacks surveys the reviews of Paul Auster’s Travels in the Scriptorium, which caused some confused tail-chasing amongst its critics.
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