Death by Landscape
/Annie Dillard’s distilled, introspective voice described marvels in Pilgrim at Tinker Creek, but can it power a novel? John Cotter tacks down The Maytrees.
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Annie Dillard’s distilled, introspective voice described marvels in Pilgrim at Tinker Creek, but can it power a novel? John Cotter tacks down The Maytrees.
Read MoreMichael Ondaatje’s Divisadero is a jarring experience, composed offractured images and plot strands. Karen Vanuska helps us put itspieces together.
Read MoreThe only trouble with Sean O’Casey’s brilliant plays is that they overshadowhis magnificent memoirs. In our monthly feature, Steve Donoghuetries to even the scales.
Read MoreChris Tonelli tackles the wily metaphysics of Zachary Schomburg’sThe Man Suit and Paula Cisewski’s Upon Arrival.
Read MoreA poem by Sommer Browning
Read MoreAlan Weisman’s The World Without Us has an irresistible premise: whatwould happen on Earth if human beings suddenly disappeared? SteveDonoghue cheerfully follows Weisman’s lead.
Read MoreIgnazio de Vega conducts a careful exegesis of Pope Benedict XVI’sJesus of Nazareth and discovers in it a remarkable quality: a spiritof reconciliation
Read MorePhoto by Kristen Lewis
Read MoreLike The Kite Runner before it, A Thousand Splendid Suns ownsreal estate on the top of the bestseller list. Sam Sacks dares tounlock the secret of Khaled Hosseini.
Read MoreIn our monthly feature, Sam Sacks clambers over the mountain ofreviews of Ian McEwan’s On Chesil Beach, spotting perspicacity,purple prose, and possible pickpocketing along the way.
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