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/Frank Kermode consumed all of the tumultuous 20th century's literary theories without being consumed by them. A look at the work of this wisest of secular clerics.
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Frank Kermode consumed all of the tumultuous 20th century's literary theories without being consumed by them. A look at the work of this wisest of secular clerics.
Read MoreIn times of crisis, what good are books, exactly? Two explorations of the virtues of reading and writing make the hard sell for literature's continued relevance.
Read MoreIf everybody's a critic, as New York Times movie critic A.O. Scott claims in his new book, then where does that leave criticism? Sam Sacks reviews.
Read MoreThese fairies of the air are among the most beautiful sights of summer. They're also 300 million years old and honed killing machines. A new book of photography shows us dragonflies as we've never seen them.
Read MoreBook critic James Wood is a fascinating collection of contradictions: an apostate true believer, a champion of experimental fiction, an earnest searcher in empty temples. Sam Sacks reads one of our foremost readers.
Read MoreFor a little over two years, shortly before she died, short story master Katherine Mansfield wrote a weekly book review column. Those pieces not only shed light on Mansfield's particular slant of genius, but have much to say about the embattled art of reviewing.
Read MoreSam Sacks midwifes a new feature into existence with a list of books containing memorable scenes about childbirth.
Read MoreLed on by a "shared obsession," a philosopher and a psycyhoanalyst have teamed up to offer their interpretation of Hamlet. With the ghosts of countless critics looming before them, how has this pair fared?
Read MoreTo many the scriptural story of Joseph is ancient and arcane. But its exploration into divine and authorial omniscience make it seem powerfully contemporary.
Read MoreRespectable novelists are solemn, meditative, and deliberate--they certainly don't churn out book reviews every week. Anthony Burgess smashed that fussy mold and left us a lifetime's work of brilliant, omnivorous literary journalism.
Read MoreWhat does the soul-searching writer do when the concept of the soul--to say nothing of God--has lost its currency? Two new confessional novels try to navigate that uncharted territory.
Read MoreNicholson Baker's provocative new book is an attempt at mainstream literary pornography, but does it suffer from the same performance anxiety as other novelistic efforts to depict sex?
Read MoreAssimilation is the nightmare of Joshua Cohen's daring novel "Witz," and the book is therefore designed to be strange and prickly to the gentiles who try to read it.
Read MoreBy Chelsea HandlerGrand Central Publishing, 2010It’s hard not to like Chelsea Handler, only you keep wishing she were funny. Chelsea Chelsea Bang Bang is her third book to reach the bestseller list, and its essays are simply extended versions of monologues that might appear on her benign, endearingly low-budget, and unfunny talk show Chelsea Lately. Viewers of the show – TV viewers in general, really – will find its contents as undemanding as an hour surfing Youtube clips. Handler’s basic-cable entourage are all featured: her no-nonsense personal assistant Eva, her pale, mouth-breathing producer Brad, her amiable dwarf sidekick Chuy (pronounced Chewy), and so on. Their presence in her narratives keeps Handler feeling comfortable, and allows her to ramble on for the requisite number of triple-spaced pages in the inoffensive bantering style that has helped her stake a claim in the male-dominated field of late night television, and recently earned her a gig hosting the Video Music Awards (a performance that, sadly, was not well-received, owing to the fact that it wasn’t funny).Handler’s running shtick, in which her viewers and readers get to be complicit, is that she is supposed to be an edgy, unfiltered, bitch-on-wheels personality type. The truth, of course, is that all of her material would be perfectly at home on The View, that elephant’s graveyard of once-talented women. Here she writes about farting in public, getting “the feeling” as a young girl, drinking before noon. All of it seems like it may have been moderately shocking forty years ago, and that in turn lends her essays a warm sense of nostalgia, for the era of Bob Hope and Henny Youngman, when comedy was mannered, friendly, winking, and unfunny. The dedication in Chelsea Chelsea Bang Bang just needs a rimshot: “To my brothers and sisters. What … a bunch of assholes.”Given the widespread toleration for the onetime “seven words you can’t say on TV” (and that the number one book on this bestseller list is called Shit My Dad Says), there are a surprising number of safe-for-work euphemisms throughout these essays – but that’s clearly part of Handler’s faux-wild girl appeal. Her first piece, about her discovery of masturbation as an eight-year-old, gives us the cutesy slang “hot pocket in a pita,” “magic muffin,” “baby bean,” and, a little out of place perhaps, “albino pincushion.” A later essay is mostly about how her dog Chunk is unable to take a “shadoobie” in her presence. Handler’s large family, characterized as unregenerate screw-ups, are adorably tame, squabbling in their Martha’s Vineyard beach house about God knows what, getting high and eating sandwiches. The drugs in this world are Vicodin and – be careful now – mushrooms.On occasion, Handler will venture her big toe over the line of political correctness, albeit in perplexing ways. “Hawaii bores me,” she writes. “There’s no nightlife, and whenever I’m there, I wake up at seven. If I wanted to wake up at seven, I’d adopt a black baby.” But before you’ve had time to puzzle over that newly-minted stereotype, she introduces us to her beloved chauffeur Sylvan (some of my best drivers are black!), whom she takes on an expensive beach vacation and pairs up with a sassy black woman named Wendy. “You white people are CUH-razy,” says Wendy, who didn’t even know about the ‘shrooms. The foil to all these yuks is Handler’s then-boyfriend Ted Harbert, who’s the CEO of Comcast and therefore, rather interestingly, the head of the E! network, which puts on Handler's show. But he might as well be Ricky Ricardo, as his roles include engaging in a dance-off with one of Handler’s exes and being the butt of a prank that was filmed and later aired on her next appearance with Jay Leno, our reigning heavyweight champion of comfortably unfunny comedy.Only the first two essays here, about Handler’s girlhood, show any semblance of having been written and constructed – the rest are more like slice of C-list celebrity life. But at one point she expresses what almost resembles a writerly ethos of a sort: “I am fascinated by anyone and everything,” she says, “especially if it involves a childhood story about an inappropriate uncle or obesity.” Human curiosity is not exactly a common trait in television stars, and that too must be what makes her such a likable commodity. I came away from Chelsea Chelsea Bang Bang hoping she’d spend more of her capital on time for real writing about things that fascinate her. And maybe, in doing that, she’ll drop the whole awkward pretense of trying to tell jokes.___Sam Sacks is an editor for Open Letters living in New York. His book reviews have appeared in The Wall Street Journal, Commentary, and The Barnes and Noble Review, amongst other places.
In Absence of Mind, Marilynne Robinson explores both the dynamics of faith and the complacency of recent anti-faith screeds. But is her own book something of a fall from grace?
Read MoreLiars and impostors have been Peter Carey's bread and butter for 30 years--so he's up to mischief when he takes on the beloved and upright Alexis de Tocqueville in a new novel.
Read MoreLike an overheated love letter, André Aciman's florid novel novel of obsession, Eight White Nights, is very easy to mock--but is it perhaps just as candid and emotionally powerful? Sam Sacks tests it against the truth of experience.
Read MoreTwo new novels by Adam Haslett and Jonathan Dee attempt to show us the way we live now by exposing the quality of the characters who handle (or, as the case may be, mishandle) our money.
Read MoreIn Changing My Mind novelist Zadie Smith, long a literary essayist, gathers together her burgeoning belles-lettres. Is it just a chance collection or does a common theme run through them? Sam Sacks reviews her views.
Read MorePerennially underrated novelist Pete Dexter’s latest, Spooner, continues his fascination with damaged characters. Sam Sacks tours a body of work composed mostly of battered bodies.
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