Norman Lebrecht's Album of the Week - Prokofiev Violin Concertos
/Prokofiev's violin concertos, one anarchic, one written under duress to please Stalin, anchor an intriguing new release from Vadim Gluzman and Neeme Järvi.
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Prokofiev's violin concertos, one anarchic, one written under duress to please Stalin, anchor an intriguing new release from Vadim Gluzman and Neeme Järvi.
Read MoreMichael Nyman's rare and underappreciated chamber opera, based on a book by Oliver Sacks, finally gets a rare new recording.
Read MoreThe late Soviet system created damaging monopolies in the arts as much as they did in state industry. The three lesser-known composers in this intriguing album each tackled the hegemony from a different aspect.
Read MoreThe last decade and a half of Elgar's musical life was focused on leaving a legacy in the form of composer-approved recordings. A remastered 4-CD set collects the brilliant results.
Read MoreI am beginning to wonder if posterity will ever place Bohuslav Martinu where he justly belongs, as one who's sound world is at once distinctive and entirely approachable, the mark of a great composer.
Read MoreIt’s always a good sign when a pianist is named as the editorial force behind a lieder recital, giving the enterprise both objective distance and intellectual rigour, as it does in these Schubert leider.
Read MoreThe Minnesota Orchestra’s partnership with the Finnish conductor Osmo Vänskä is a treasure of our times, especially when they play music of the frozen north.
Read MoreThey're not great (in fact they're often mild and unoriginal), but the concertos of Muzio Clementi and Mozart's son, Frances Xaver, are nonetheless worth your time.
Read MoreThere used to be a truth, universally acknowledged across the record industry, that you could put out unfamiliar music with a famous artist or popular music with an unheralded performer but never attempt what Donald Rumsfeld might have called the unknown unknowns.
Read MoreThey may grate in other instances, but period instruments are well suited to Mendelssohn's Songs without Words, as this new recording demonstrates.
Read MoreTchaikovsky's violin concerto towers over all other Russian efforts in the genre, but these two by Glazunov and Khachaturian deserve a wider audience.
Read MoreIn an era replete with talented young competition winners, Lucas Debargue, who placed fourth in the 2015 Tchaikovsky Competition, stands out.
Read MoreThese three Shostakovich chamber works span the composer's whole career, and together they constitute a musical self-portrait with few equals.
Read MoreCameron Carpenter is virtuosic, effervescent, totally in command of his pipes and sometimes quirky enough to make you rethink the piece from core principles. But does that approach work in Bach?
Read MoreSteven Osborne takes on unexpected repertoire: the ascetic Morton Feldman and the extreme George Crumb.
Read MoreThese six early-classical concertos are close to the best music of their time and yet the composers of these six concertos are unknown.
Read MoreVaughn Williams' symphonies are too little played, and too rarely played well. The first disc of an exciting new cycle aims to change that.
Read MoreA new release of an old recording prompts the question: Why are orchestra chiefs still afraid of Joseph Haydn?
Read MoreJust months before his death, Nikolaus Harnoncourt made his final attempt to faithfully render Beethoven's scores into music. Norman Lebrecht assesses his valediction.
Read MoreMahler's Third is a challenge of both organization and interpretation. Does Jaap van Zweeden's new live recording deserve a place among the greats?
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